• 1.1. opening title music
  • 1.2. madeline's theme / pursued
  • 1.3. angela's decision
  • 1.4. locked out
  • 1.5. darryl's dilemma
  • 1.6. the gay disco
  • 1.7. angela's transformation
  • 1.8. sans chemisette
  • 1.9. who's sleeping in my bed'
  • 1.10. bermuda cool (madeline makes her move)
  • 1.11. goodbye to madeline
  • 1.12. fright and flight
  • 1.13. danger! the whippy van
  • 1.14. elmer's place
  • 1.15. studio fire
  • 1.16. exit darryl
  • 1.17. closing title music
  • 1.18. the survivor - main title
  • 1.19. take off and crash
  • 1.20. romantic mood / ghost girl
  • 1.21. scary bit in the house
  • 1.22. scared
  • 1.23. back at wreck
  • 1.24. memories
  • 1.25. frantic drive to hangar / gruesome discovery
  • 1.26. final confrontation and burning
  • 1.27. revelation and finale
  • 2.1. political theme
  • 2.2. thunderclap / alex spits blood
  • 2.3. sandra and alex
  • 2.4. the cure
  • 2.5. the aerial / did you cure my son'
  • 2.6. was it assassination' / alex plays dead
  • 2.7. the cliff
  • 2.8. wolfe and sandra
  • 2.9. alice disrobes / shattering windscreens
  • 2.10. wolfe leaves alex
  • 2.11. wolfe's show of magic
  • 2.12. wolfe's face on the tiles
  • 2.13. sandra and alex leave
  • 2.14. wolfe escapes from jail
  • 2.15. letting out the dogs
  • 2.16. wolfe on the estate
  • 2.17. march of the marbles
  • 2.18. the set-up
  • 2.19. wolfe's death
  • 2.20. wolfe's resurrection
  • 2.21. wolfe killed again
  • 2.22. wolfe dumped
  • 2.23. wolfe surfaces / end titles
  • 2.24. patrick suite
  • 2.25. snapshot suite - part one
  • 2.26. snapshot suite - part two

may, brian

brian may collection

BRIAN MAY COLLECTION

2 CD  €  18,99
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Über diesen Artikel

One thing these films have in common is the music of Brian May. All of Antony I. Ginnane's horror/supernatural thrillers from this time period were scored by Brian May. For PATRICK, May composed a lush-sounding symphonic score supported by ARP synthesizer. His score for SNAPSHOT mixes dramatic orchestral music, with sublime romantic music and a fair amount of contemporary modern jazz. HARLEQUIN was scored for a variety of atonal motifs for strings, piano, and percussion, giving thematic unity through a lush, string-based love theme. THE SURVIVOR is arguably May's most Herrmannesque score, opening with a main theme that recalls Herrmann's Hitchcock collaborations. Born in Adelaide in 1934, Brian May (no relation to Brian Harold May of Queen) was one ... mehr lesen

 
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