The award-winning Israeli-Persian singer returns with "Roya" (fantasy in Farsi) an exhilarating blend of tradi-modern rhythms and retro-Persian sonics. Recorded in secrecy in Istanbul with her band from Tel Aviv and risk-defying Iranian musicians from Tehran. A musical portal to a place of peace, joy and unfettered freedom. The new third album from award-winning Israeli-Persian singer Liraz is an invitation to dream. Anthems, love ballads, glittery Middle Eastern dance tunes ... A collection of 11 tracks that enrich that signature blend of tradi-modern rhythms and retro-Persian sonics, Roya ("fantasy" in Farsi) is music as a magic portal, an arched gateway to a place of peace, joy and unfettered, chador-waving freedom. Liraz and her Israeli sextet (three women, three men) recorded Roya over ten days in Istanbul, in a basement studio hidden from public view and crackling with creativity. With them, on violin, viola and the tar, the wasp-waisted wooden Iranian lute, were composers and musicians from the Iranian capital, Tehran. The same clutch of anonymous players who previously collaborated with Liraz online, no questions asked, no faces shown, under the radar of Tehran"s secret police, for her feted 2020 album, Zan. Players who"d travelled undercover from Tehran to Istanbul to work with Liraz and producer/multi- instrumentalist Uri Brauner Kinrot in the flesh. "There is a passage connecting our tongue and heart, sustaining the secrets of the world and soul," wrote Rumi, the greatest Sufi mystic and poet in the Persian language, whose prose Liraz treasures. "As long as our tongue is locked the channel is open/the moment our tongue unlocks the passage will close."