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- 1.1. no-shows
- 1.2. burial at see
- 1.3. a message for the janesville king
- 1.4. a round, a bout
- 1.5. look spectral!
- 1.6. the 100-faced magma
- 1.7. a breathable liquid
- 1.8. the permeable realm
- 1.9. section 2
- 1.10. double orchid
- 1.11. part the thin painter from his work
- 1.12. every second morning
- 1.13. section 3
- 1.14. me neithe contact twig entanglement
- 1.15. new red masterpiece
- 1.16. cup cape
- 1.17. the bird renamed
- 1.18. psycasts in love
- 1.19. where for do i run
- 1.20. the home counties
- 1.21. today's dictation
- 1.22. untidled
- 1.23. sleep baguettes sleep
- 1.24. infintu b
- 1.25. tree breather
- 1.26. the incredible waist of time
- 1.27. nor yet door but the one
- 1.28. the winner takes it all
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elkington, james
me neither
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Über diesen Artikel
Me Neither is a 29 track double album of instrumental guitar music. While juggling a number of other projects James Elkington began writing "music for which there was no purpose." It became a new way of working for him - waking up each morning and improvising and recording the first thing that came into his head. "The only rules I gave myself were that I should make most of the sounds with a guitar, changing the speed or processing the recordings afterwards to get the effect I was looking for." Before long he had an albums worth of material. About mid-way through the second album Elkington had a liberating thought: he was making his own version of library music "if you're writing library music, you don't have to know what it's for - that can be ... mehr lesen
Me Neither is a 29 track double album of instrumental guitar music. While juggling a number of other projects James Elkington began writing "music for which there was no purpose." It became a new way of working for him - waking up each morning and improvising and recording the first thing that came into his head. "The only rules I gave myself were that I should make most of the sounds with a guitar, changing the speed or processing the recordings afterwards to get the effect I was looking for." Before long he had an albums worth of material. About mid-way through the second album Elkington had a liberating thought: he was making his own version of library music "if you're writing library music, you don't have to know what it's for - that can be someone else's job."