It's not hyperbole to state that Touché Amoré's third album Is Survived By is the band's most pivotal album. Released 10 years ago on September 24th, 2013 via Deathwish Inc., Is Survived By tackles the complicated nature of leaving a lasting legacy and the uncertainty that surrounds that; ultimately resulting in a record about learning to find the validation and love within one's self. Produced by the legendary Brad Wood (Sunny Day Real Estate, Liz Phair, mewithoutYou), the recording sessions were a lesson in growth for the Los Angeles quintet - vocalist Jeremy Bolm, guitarists Nick Steinhardt and Clayton Stevens, bassist Tyler Kirby, and drummer Elliot Babin - as the band transformed from a group of individuals who play hardcore songs to the established headlining act that Touché Amoré is today. For the past decade it's been bittersweet as the band has felt less than satisfied with the record's sound - a result of the band's overthinking and underpreparedness. So a 10 year anniversary felt like the perfect time to tap Wood and Emily Lazar (the same team behind Stage Four) to remix and remaster Is Survived By. "I've always had a really hard time with the way this record sounds," explains Bolm. "I've unfortunately been oversharing and vocal about that for a number of years, but when we went to Brad to remix it, the main direction that I gave him was to make this sound more like Stage Four, and I think he killed it. He found that middle ground to where everything now compliments each other and there's far more clarity overall." No longer does Is Survived By feel claustrophobic as if each layer of sound is fighting one another. Instead, Bolm's signature vocals flow in unison with Stevens and Steinhardt's creative, thoughtful guitar work, while the stellar rhythm section of Kirby and Babin provide a fervent punch to each song. Side A favorites like "Just Exist" and "DNA" hit with a new intensity, while the lusciousness within "Harbor" feels more defined. The Side B tracks may benefit the most - the Interpol influence shines throughout "Kerosene", and the slow burn build on "Non Fiction" is heard with more definition than ever before. There is a new found sense of brightness throughout the album's twelve tracks without losing any of the character from the original recordings. The lessons Bolm has learned over the years were also applied to the remaster. "I do feel a lot better about it," he says. "Everything kicks and everything pumps on this remix and remaster and I feel like 'Wow.' I almost feel like I'm hearing these songs for the first time again."