"...Terrie was already bouncing towards Vandermark with a drumstick and too much energy that he needed to get rid of urgently. It was only a matter of seconds before the two gave their all, in that strange combination of seemingly incompatible tactics that somehow fit together. The rhythmic accents of Vandermark were razor-sharp and turbulent, and were executed with the same crackling energy that Hessels treated the strings with. The interaction was jumpy, constantly on the move, with a strong dash of humor (especially by an unleashed Hessels, who treated his guitar and the stage with a hammer (!)), but also an instinctive one; interaction that, despite enormous freedom, also led to a set that was as short as it was consistent." (Guy Peters). Ken ... read more