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Brian Auger"s Streetnoise, recorded in 1969 with Julie Driscoll and The Trinity, stands as a landmark of late 1960s eclecticism, where the boundaries of jazz, rock, folk, and soul blur into a cohesive, genre-defying masterpiece. Auger was moving The Trinity on from their R&B, jazz beginnings and for Streetnoise, together with Driscoll, delivered a record that channelled their mutually progressive vision. Julie"s haunting vocal performances were the perfect counterpoint to Auger"s innovative instrumentation, creating a sound that was both avant-garde yetdeeply soulful. "We aimed to challenge expectations," Auger recalls."Every track was a canvas to experiment and push the envelope."