During the legendary Forst years Roedelius had a private workspace with a Farfisa organ, a Revox-A77 tape machine, an echo device and a synthesizer which he borrowed from the Cluster studio next door now and again. Here he experimented, practised, allowed his imagination to flow, at any hour of the day or night, whenever he was not in the studio with Dieter Moebius and/or Michael Rother at work on new Cluster or Harmonia material. Roedelius always let the tape run, in order to analyze the ideas thus captured more effectively on repeated listening For the first time ever this Roedelius audio sketchbook had been digitalised and available to the public in 2014 on a limited (500 units only) 3-LP box set called "Roedelius Tape Archive 1973-1978". The ... read more